The first time I listened to it was in the company of a friend who is another huge Isolée fan. And now that day has come and "WE ARE MONSTER" is here. In the intervening years there have been a few more singles and several acclaimed remixes along with a few whispers that the next Isolée album would see Mr. To this day it sounds like it came from another world. He also did something else, he created something entirely new and fresh sounding and made one of the few "dance" albums that stood up to long term listening. House music had been stagnant for so long but Rajko found new ways to breathe life into it and made it sound as exciting as the day it was first born in Chicago. Five years ago, after a handful of 12'' singles (including the now bona fide classic "BEAU MOT PLAGE"), RAJKO MUELLER released the "REST" album which blew minds around the world. People use the term "long awaited new album" far too flippantly but in ISOLÉE's case that term doesn't even begin to do it justice. There were rumours, there were whispers but nothing seemed to be forthcoming. This is especially notable on the opening "Fine + 2 Points," which has even more of the chilly but danceable sound of early-'80s post-punk outfits like A Certain Ratio and Crispy Ambulance than the far more celebrated Franz Ferdinand do. Boasting a slightly rougher sound than the Steve Fisk-produced Highly Refined Pirates, They Make Beer Commercials Like This is nevertheless at least as complex as their previous releases, but with more of an emphasis this time on constantly shifting, tricky rhythms and a more prominent and melodic presence for bassist Cory Murchy to counterpoint David Knudson's typically fluid guitar showcases. "They Make Beer Commercials Like This" shows the evolution of the band's craft and finally captures the spark of their live show.Īlthough Minus the Bear's uniformly goofy song titles and album names make the Seattle quartet seem at first like the spiritual descendents of local scene godfathers the Young Fresh Fellows - besides the sarcastic album title, the best titles this time out have to be "Hey, Is That a Ninja Up There?" and "I'm Totally Not Down With Rob's Alien" - the funniest thing about them is how straightforward and (relatively) serious their music is. This is the third release from Seattle's Minus The Bear, who construct their sound from guitar tapped melodies, textural electronics, an airtight rhythm section, and vivid melodic narratives.
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